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Lady Virginia Vintage Fabrics

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You are here: Home / Fabric / For the Love of Chintz Fabrics

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For the Love of Chintz Fabrics

Chintz at the Victoria & Albert Museum. Photo: KotomiCreations via Flickr.

If you downloaded my new e-book What is Grandmillennial Style?, then you already know just how popular chintz fabrics are becoming again, particularly for those who are decorating in the grandmillennial style. (And if you didn’t get the e-book, grab it now — it’s FREE!)

Chintz fabrics go way back to 16th century India where they were first invented by using painted on designs, resist-printing (which is like batik or any form of printing where some of the fabric is blocked from being penetrated by the dye), and wood-block printing. All of this was obviously painstakingly done by hand. Often multiple inkings were employed to layer on different colors.

The word “chintz” came from the Hindi word chīnt which is most often translated as “spotted.” But really, the first chintzes weren’t really what we would call spotted, so it’s a strange translation. I like “variegated” better because it simply suggests multiple hues, and variations of tone, rather than spotted, which sounds more like polka dots.

Chintz example from the Victoria & Albert collections. Photo by KotomiCreations via Flickr.

Most of the examples of chintz from that era were more small resist florals, large expressive florals, and even animal motifs along with elaborate scrolls, paisleys, and other decorative patterning that we still see today as examples of “Indienne” style cloth.

India was way ahead of most of the world when it came to their dyes, too, as well as the mordants, or fixatives, that helped those dye stay “fast” — in other words, not to run or fade too much, if at all, with use or washing.

The world quickly became covetous, and jealous of these beautiful, richly colored fabrics.

Once chintz was “discovered” by English and Western traders visiting India and exported back home, it was a total boom. First embraced as a decorator fabric — for bed coverings, upholstery, drapes and more — chintz was soon incorporated into women’s jackets, skirts, and dresses, along with men’s waistcoats. This was for more prosperous people since, at that time, imported printed cotton was more expensive than more domestically produced clothing materials like linen and wool.

I’ve been making my own 18th- and 19th-century historic reproduction dresses for a few years now, and I really fell in love with the printed textiles of that era, all directly influenced by this chintz/Indienne phenomenon that began a few centuries earlier.

And now I’m gaga over using them in upholstery projects, too! Some of my favorite decorator fabric companies have loads of chintzes to choose from, whether in vintage pieces like I sell, or available from interior designers who rep the big fabric houses.

What’s All the Buzz about Grandmillennial Style?

It’s sweeping the decorating world with a new take on classic looks. Learn why younger people are so into their grandmothers’ sofas, throw pillows and drapes with our 8-page illustrated Guide to Grandmillennial Style. Get your free copy now.

‘Merican Style

However…in America we’ve sort of lazily come to think of chintz in a very different way. Most Americans conjure up the image of a large, expressive central floral, almost like a still life, on a light- to heavily-glazed cotton, as used in big and bold decorator fabrics, often for pillows, like the pillow seen here:

Or we think of a print that densely covers a whole fabric, like a calico. Chintzware in porcelain is often understood as a pattern replete across every inch of the piece, and it often looks like the calico style fabrics of the 19th century.

All of this is why I say in my grandmillennial design e-book, “prints, prints, prints, we love chintz!” Americans often understand chintz this way — as big florals, or as calicos.

It’s not that this is wrong per se, as chintz is a printed fabric. It’s just that it’s such a small part of a much bigger, much older story.

  • Chintz Fabric Adrian
    Vintage 1930s A. L. Diament & Co. "Adrian" Fabric.
  • Bailey and Griffin Chintz
    Vintage 1960s Bailey & Griffin peacock and peahen chintz fabric.
  • Schumacher Fabrics Hamilton House Chintz
    Vintage 1950s Schumacher "Hamilton House" chintz fabric.
  • Scalamandre Silks Chintz
    Vintage 1966 Scalamandré floral striped chintz fabric.
  • Bassett Mcnab "Janine" chintz
    Vintage 1991 Bassett McNab "Janine" chintz fabric or "Indienne."
  • Brunschwig and Fil chintz Kang Hsi
    Vintage 1979 Brunschwig and Fils "Kang Hsi" chintz fabric or Indienne.
  • Antique Indienne or chintz fabric.
    Antique Indienne.
  • Greeff Weston Lathbury
    Vintage 1969 Greeff Weston Lathbury Park chintz fabric.
  • Jack Valentine fabric
    Vintage 1950s Jack Valentine pink and gray floral chintz fabric.
  • antique Indienne fabric
    Detail of an antique Indienne fabric.

Wheeling back to the historic origins, however, you can really expand your sense of chintz by looking to the original examples, appreciating in the wide variety of gorgeous designs just another amazing thing that India contributed to the world. And these prints were not only produced on fabric, but also on wallpapers and end papers for books, and used as box or trunk liners.

Check out the Victoria and Albert Museum for some blog posts about the historic origins of chintz:

  • “Introduction to Indian Textiles”
  • “Renuka Reddy’s Adventures in Chintz” 
  • “Indian Chintz: A Legacy of Luxury”

or see this fab 18th century gown as one extant example of utterly gorgeous chintz dresses.

The blog IdeaFlows has a great post on Indienne chintz that’s a pretty quick read with a breadth of information. And the Textile Forum Blog also gives an overview: “Chintz: Cotton in Bloom.”

And for eye candy galore, see the Heritage Lab exhibition How Indian Printed and Painted (chintz) Textiles Changed the World.

At Lady Virginia Vintage we carry a variety of rotating chintzes and Indiennes, some lightly coated, some not. Given that we deal exclusively in antique and vintage fabrics, only seldom can we get the same piece once it’s sold. So, if you see one you love, best to grab it before it’s gone.

Have fun decorating in chintz, whether with delicate and expressive old-world Indienne designs, or in the modern Americanized version with large florals and busy prints with glazing. Because beautiful designs like these in your home is a decidedly wonderful thing!

— Lindsay Curren, Lady Virginia Vintage

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About Lindsay Curren

A Christian, mama, and writer, Lindsay Curren (aka Lady Virginia) is also a passionate lifelong collector of vintage fabrics. "There's something inexplicable about the pull textiles have on me. I simply can't resist sourcing them, using them, and now selling them. Other fabric addicts will understand!"

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A Christian, mama, and writer, Lindsay Curren (aka Lady Virginia) is also a passionate lifelong collector of vintage fabrics. "There's something inexplicable about the pull textiles have on me. I simply can't resist sourcing them, using them, and now selling them. Other fabric addicts will understand!"

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