• Home
  • About
  • Blog
  • Showroom
  • Shop Online
  • Contact
  • Nav Social Menu

    • Facebook
    • Instagram
    • LinkedIn
    • Pinterest

Lady Virginia Vintage Fabrics

Gracious living that's light on the earth

You are here: Home / 31 Days Project / Many faces of Urban Agriculture

in 31 Days Project

Many faces of Urban Agriculture

 

Over the past month perhaps you’ve seen my Kickstarter campaign to fund the poster art show called 31 Days of Urban Agriculture.

During the time I’ve been on the fundraising mission I’ve continued to do the art for the show and, behind the scenes, to continue researching the issue and writing the essays that will be in the show chapbook.

One of the things that’s been most surprising for me to find in my research are assertions by various groups or individuals that urban agriculture only operates in very specific ways. Notably, that urban agriculture is only such if it is industry-focused — in other words, profit-generating businesses. The Urban Farming Institute of Boston defines urban farming on their About Us page as, “the growing of agricultural products for income.”

There’s no doubt that the business side of urban agriculture — from profitable cultivation to distribution in various food businesses — is key to a thriving city farming model. But to suggest it ends there misunderstands the history of agriculture and the context of our times.

While agriculture in general began as an organized form of cultivation, its primary purpose was to sustain the communities rooted around it. That trade then became a viable outgrowth of regular cultivation is true, fostering an enhancement of human options and year-round food security. But trade was secondary to the life of the people dependent upon the food from their own agricultural community.

So while business is essential, it’s not the first issue at hand in urban agriculture. More important are the resilience, sustainability, stability, and health of the local community.

But it might not seem that this is the case when the lens we look through remains unclouded by awareness of the true predicaments of our times. Only if we are free from the restraint of energy, climate, and economic realities can we insist on a model of farming, or anything else, no matter how high-tech or energy-dependent, as long as we think it can “make money.”

Intelligent density

A similar assertion, such as one by Mary C. Rowe in “The Sky is the Limit for Urban Agriculture. Or is it? What Can Cities Hope to get from Community Gardens and Urban Agriculture?” calls for a firm divide between industrial-scale food production to feed large numbers of people and the quaint things communities do to fix up tired lots or make nice with the neighbors over tomatoes and sunflowers. She writes,

Urban agriculture is something else altogether. It’s about growing food within the city, at a scale that has the potential to put a dent in food security challenges. Scaling up growing food in cities is a laudable goal: but this idea needs to move from a quaint aspiration that mainly takes root in shrinking cities in North American where urban neighborhoods have been abandoned as the industrial economy has vanished. In those cities, re-pastoralizing parts of the city landscape may make sense, in the short and intermediate terms. But in dense urban environments, in rapidly growing cities in the global south and north, what makes more sense is integrating productive planting into everyday urban design.

I can see the merits of her case in distinguishing between what seem to be dying cities which now look to metro-farming versus ones that are pulsing more and more with the throb of the concrete metropolis, with the latter not having room for precious land to be taken up by pea-patches and millennial city-slickers with shovels and hoes. Rowe prefers an integrated approach for population-dense cities that greens-up the picture without all that pesky soil.

Just the facts, Ma’am

But I want to carve the case somewhere in between.

At the risk of sounding like my urban ag tent can hold anyone and anything, I feel compelled to render my analysis through the lens of key facts in our world picture, especially those facts which are likely to recalibrate all conditions for everyone — namely world-wide peak oil (which the International Energy Agency says occurred in 2006), devastating climate change impacts, and the hidden but real global economic implosion which is built in part on the former two.

In a world free from energy concerns we can easily build 50-story skyscraper apartment-house farms on every corner of Manhattan, Tokyo, and Dubai. Or we can imagine we’ll be retrofitting existing highrise apartments and offices in the world’s most populous cities to be mean-green sky scraping machines.

But to this analyst, the numbers don’t add up.

The resources are in depletion. The climate can not sustain unconventional energy acquisition like fracked gas and deepwater oil. And the economy is not actually built on bullish Wall Street sociopaths moving numbers around. Instead, the economy is dependent upon the actual living, breathing resources of nature.

Meantime, here in the United States we have a government and media more interested in debating whether Obama is a Muslim and whether the Cloud is insecure for nudie celeb pics than we are in addressing our real energy and resource picture.

In the face of unforgiving climate data we’re still arguing over whether Keystone XL is a viable source for transporting the worst possible kind of oil — the bitumen from tar sands — than in discussing anything remotely resembling a national mass transit system, true New Urbanism, or whether we can sustain using single-use plastic bags FOREVER as we check out at the grocery store larded down with…plastic covered products.

Is a nation currently consuming 69 or so million plastic drink bottles a day that concerned with directing dwindling fossil fuel resources toward greener, denser cities with innovative new build outs?

To that end, small counts, because it’s the only thing that’s really real — that’s really doing something in the here and now. So positing small-scale food processors, local farm stands, and community gardens as cute but ultimately irrelevant fosters a false dichotomy about what is or isn’t in Club Urban Ag.

Growing together

In the end, as energy crises bear down on us more and more, as the nexus between unsustainable energy and an eroding climate delivers a can of whoop-ass that we can’t market our way out of, we’re going to need to seat Urban Agriculture on a continuum from the lowly potager gardener to the possibly reliable rooftop farmer; from the posse of bee-loving skeppers  scattered along the El Train to the aquaponics factories producing both protein and roughage; from the kiddies learning in a schoolyard classroom garden that a tomato is actually fruit (and how to make salsa) to four-season high tunnel production houses churning out large quantities of produce on reclaimed land.

This is to say nothing of the urgent need for healing and reconnection around both nature and natural cultivation that’s been spawned by an era of cold materialism.

Urban Agriculture is not one thing, but many different things. Even 31 Days of Urban Agriculture will hardly touch on all things urban ag needs to be, can be, or will be.

But one thing’s for sure — if we imagine it can only be high-tech, energy-dense, Buck Rogesrs-eque visions of a futuristic city-on-a-hill with big returns on investment for the early-in crowd, we’ll be disappointed.

With all cultivation, it’s like the old Buddhist saying, “Chop wood, carry water.” Or maybe in this case it’s “Seed, weed, and carry water.”

The community garden, seed library, canning workshop and apartment windowsill culinary herb tray are as essential to this humble future as are a million urban ventures that flesh out our food picture — entrepreneurs providing produce, meat, fish, fungi, training programs, urban planning charrettes, and maybe — maybe —  tech-heavy green visions or a new urban landscape both sophisticated and sustainable, pulsing and productive, sky-high and low-land.

In the end, it’s not about a corporatized and top-down model of feeding people as some centralized industrial vision that was as equally flawed in Communistic terms as it is in Capitalistic terms.

Really it’s about people knowing what it takes to feed themselves and having access to the means to do it — with a little trade with locals thrown in for good measure.

But as long as we think we’re living in a perpetual motion machine of endless energy unto the horizon we’ll never see this and so fail to prepare people for a transition to a lower-energy world where food is one’s personal concern as much as it is society’s.

It’s time to stop spending money and energy figuring out if we can grow our future crops on Mars, and import them back to our depleted soil, for example.

It’s time to come back to earth, spaceman, and just pick up our plows.

— Lindsay Curren, 31 Days of Urban Agriculture

Help support many vision of urban agriculture by backing Lindsay’s 31 Days of Urban Agriculture. 

Share this:

  • Facebook
  • Instagram
  • Pinterest
  • More
  • LinkedIn
  • Tumblr
  • Twitter

Related

About Lindsay Curren

A Christian, mama, and writer, Lindsay Curren (aka Lady Virginia) is also a passionate lifelong collector of vintage fabrics. "There's something inexplicable about the pull textiles have on me. I simply can't resist sourcing them, using them, and now selling them. Other fabric addicts will understand!"

Previous Post: « Seeds that heal
Next Post: Jack and the Beanstalk »

Primary Sidebar

Subscribe to Our Blog

Stay connected to get all the latest

We'll never share or sell your contact information.

  • About
  • Terms and Conditions
  • Privacy Policy
  • Contact

Footer

more about lady virginia

A Christian, mama, and writer, Lindsay Curren (aka Lady Virginia) is also a passionate lifelong collector of vintage fabrics. "There's something inexplicable about the pull textiles have on me. I simply can't resist sourcing them, using them, and now selling them. Other fabric addicts will understand!"

Connect with Us

  • Facebook
  • Instagram
  • LinkedIn
  • Pinterest

looking for something?

Get Our Free E-Book

Get free ebook

Latest on Instagram

This expressive floral arabesque chintz with swags This expressive floral arabesque chintz with swags, a musical instrument motif, insects, and urns of roses offers a wonderful chance for completing a small grandmillennial project. 100% cotton chintz screenprint by Lee Jofa, 1981, titled “Revel.” Also fitting for cottage chic and shabby chic decor. 

SIZE: 51” wide x 54” long (plus a little extra with some damaged spots). $119 w/ free shipping in the US. Find it in our Etsy shop Lady Virginia Vintage Fabrics (link in bio).

.

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #grandmillennial #grandmillennialdecor #grandmillennialstyle #grannychic #shabby his #arabesquestyle #arabesque #leejofa #cottagecore #cottagecoreaesthetic #fabricshopping #fabricshoppingonline #neoclassical
Make a fun pillow or tiny cabin or RV curtain for Make a fun pillow or tiny cabin or RV curtain for the bird lover in your life with this autumnal Canadian Geese fabric scrap. Set the theme for your hunting lodge or lake cottage. Or make a fun and expressive bag front, patch into the back of a jacket, and more! Great for making one-of-a-kind souvenirs for sale in Canadian Geese territory or for your Goose area AirBnB.

Features migrating Canadian Geese flying up from a marshy inlet and off towards their destination. A painterly quality to the surface texture of the fabric and lots of vivid warm color. 

SIZES:

A: 24” wide by 22.75” long. Left Selvage. $59
B: 24” wide by 22.75” long. Right Selvage. $59
Free shipping in the US.

Find it our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #canadiangeese #geese #goose #goosehunting #fabricshop #fabricshopping #fathersdaygifts #huntinglodgedecor #huntingdecor #cabincore #cabindecor #naturalist #gorpcore #gorpcorestyle
File this vintage late 1960s floral polished cotto File this vintage late 1960s floral polished cotton fabric under “what a find!” Delightfully cottage core, it’s perfect for a sun room or plant shop, a naturalists cabin or garden-themed AirBnb and more! Exquisite fiber and hand with colors that positively POP! 

Beautiful and expressive hydrangeas, peonies, roses, tulips, dianthus, buds and toothy dramatic foliage. Color layering adds visual interest and dimension. 

Use it for café curtains, quilting, pillows or totes, a bolster, or chair seats, or make a stunning fabric-covered headboard! As it’s ever-so-slightly sheer, for some projects you’ll want to plan for a lining and even in some cases an interfacing. 

SIZE: 49” wide x 1 yard increments with up to 6 continuous uncut yards available. Bold oversized print. Flowers around 5” x 5”. $89/yard with free shipping in the US. Find it in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #grandmillennial #grandmillennialdecor #grandmillennialstyle #grannychic #coastalgrandmother #coastalgrandma #shabbychic #shabbychicdecor #cottagecore #cottagecoreaesthetic #floralfabric #floralfabrics #flowersofinstagram #quiltfabric #tulips #peonies #hydrangea #bloomcraft
Traditional and expressive, this granny chic piece Traditional and expressive, this granny chic piece offers charm and ease for your laid back yet stately room.  With up to 6.5 yards available you can cover dining room chairs, make a room screen or use as a fabric wallpaper application in a small space, make pillows, bedding, totes or a weekender bag, cover a small chair and more! 

Greeff 1967, “Cotswold” from the Greenbrook Collection. Made in England with Warner & Sons., Limited. Serigraph on fabric. #106830-33

Vertical stripes are created by double stacks of small flowers while in between are larger motifs of expressive foliage and roses with birds. Perfect for shabby chic, cottage core, and granny chic spaces. 

SIZE: 36” wide by continuous uncut 1-yard increments (sold by the yard) with up to 6.5 yards available. $89/yard with free shipping in the US. Find it in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #grandmillennial #grandmillennialdecor #grandmillennialstyle #grannychic #cottagecore #shabbychic #birdfabric #pinkandgreendecor #putabirdonit
Such a sweet and nostalgic looking chintz, “Cand Such a sweet and nostalgic looking chintz, “Candace” by Brunschwig & Fils, was made in 1993 but looks like it’s channelling a 1920s postcard. Lovely roses and Camelia-like flowers or anemones, and assorted small buds, vines, and toothy expressive foliage are set against a crisp white background, making the colors POP! This lush floral is so Cottage Core, Shabby Chic, and Grandmillennial!

With two continuous uncut lengths available (each sold separately), a small pair of curtains could be made, pillow fronts, big lumbar pillows, a lampshade, or cover two dining seats, make a small screen, use as fabric wallpaper in a small space, make totes, and more!

Will take your grandmillennial project to “11.”

SIZES: Right now the pieces are continuous so if you buy both they will come as one continuous, uncut, 62” long piece. 

A: 53” wide x 1 yard. $129.
B: 53” wide x 26” long $94.

FREE shipping in the USA. Find them in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

.

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #grandmillennial #grandmillennialdecor #grandmillennialstyle #grannychic #coastalgrandmother #brunschwigandfils #floralfabric #floralfabrics #flowersofinstagram #shabbychic #cottagecore #cottagecoreaesthetic #chintzfabric #blueandwhite #blueandwhiteforever
These buoyant and cheery polished cotton upholster These buoyant and cheery polished cotton upholstery fabric pieces (each sold separately) is by Bailey & Griffin, circa 1970, and titled “Field Lilies.” A striking statement-making piece that would make wonderful pillow fronts, a charming small curtain, fun totes, and more!

SIZES: Right now pieces A & C are one continuous length so if you add both to your cart and buy both they will come as one continuous uncut 52” piece 

A: 54” wide x 16” long $39
B: 54” wide x 33” long $82
C: 54” wide x 1 yard long $89

Free shipping in the USA. Find them in our Etsy shop Lady Virginia Vintage Fabrics (link in bio).

.

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #floralfabric #floralfabrics #flowersofinstagram #granny his #cottagecore #shabbychic #handprintedfabric #handprintedtextiles #handprinted #lilies #liliesofinstagram #baileyandgriffin #chintzfabric
What a fun find! This sewing-themed fabric would m What a fun find! This sewing-themed fabric would make the perfect gift for the crafter, seamstress, slow sewer, or fiber artist in your life. Or use it yourself to make cute sewing-themed items like pin cushions, needle cases, and more!

Enough here for a baby’s dress or overalls.

COLOR: On a white background are grass green, honeycomb yellow, shades of gray, and classic red.

SIZES: Currently the two pieces are connected. If you add both to cart and buy they will come as one continuous uncut piece that’s 44” long.

A: 37” wide by 8” long scrap. $14.
B: 37” wide by one yard. $59. 

Find them in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabric addiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #1930s #1930sfabric #feedsack #sewinggifts #noveltyfabric #textilecollection #fiberarts #fabricshoppingonline #fabricshopping #fabricshop #sustainablefabrics #seamstress #seamstressgift
This is one of my all-time favorite fabrics and I This is one of my all-time favorite fabrics and I only ever had the black colorway in a gorgeous, thick linen fabric sample. I was so thrilled to again come upon and acquire another black colorway of “Spring Woods,” 1974, from Greeff’s The Woods and Meadows Collection of the 1970s. #58150 in the archive. 

The piece features strawberries, ferns, and delicate forest flowers cast in the shade of the forest. A perfect fabric for strawberry lovers, or to decorate a cabin or nature retreat. Very gorpcore!

SIZE: 57” wide by 1 yard increments (sold BY THE YARD) with up to two and a half continuous yards available as of the original listing. PURCHASING: Click “add to cart” and then visit your cart to add more yardage. If you add all three pieces (two pieces by the yard and one piece that’s a half-yard, it will come as one continuous 90” piece. 

A: By The Yard. (two available) $139 ea
B: Half Yard. (one available) $69

Free shipping in the US. Find it in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

.

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #grandmillennial #grandmillennialdecor #grandmillennialstyle #strawberry #strawberriesofinstagram #strawberryfabric #farmersmarketstyle #gorpcore #woodlanddecor #woodlandfabric #botanicalfabric #woodlandstyle #woodland #woodlands #wildflowers
A 1970s era House N’ Home reprint of an earlier A 1970s era House N’ Home reprint of an earlier 1950s piece. 

These vintage English Setter and Pointer Dog dogs (with pups) fabric lengths (Each Sold Separately) offer great potential for the hunter and/dog lover in your life. Perfect fabric for making a gift for bird hunters and their cabins or lodges! Very painterly quality to the surface of this piece and early elements of flat design in some of the tree layering.

The piece features English Setters and Pointer Dogs in a lush landscape of trees, creeks, and banks, gathered after the hunt, playing together, and watching over pups. Classic 1950s design elements reprinted in this 1970s edition. 

Pieces are big enough for a small hunt cabin window curtain, great for pillow fronts, lamp shade, lumbar pillows, linings, tote bags, appliqué, slow sewing, fiber arts, and more! Heavier weight than most quilts so keep in mind if planning for a quilt. 

SIZES:

A: 48” wide x 1 yard. $89
B: 48” wide X half yard. $45
Free shipping in the US. 

Right now this is one continuous uncut piece so if you buy both you’ll get a continuous 1.5 yard piece. Find it in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #huntcountry #huntingdog #huntingdogs #huntingdogsofinstagram #huntinglodge #huntinglodgedecor #gorpcore #englishsetter #englishsettersofinstagram #englishsetters #pointer #pointerdog #dogfabric #mancavedecor #mancave
Charming and fun find, this mid 1960s novelty prin Charming and fun find, this mid 1960s novelty print depicts scenes inspired by (but not directly taken from) Kate Greenaway illustrations paired with rhymes from Robert Louis Stevenson’s “A Child’s Garden of Verses.” Kate Greenaway helped inspire “Verses” with her “Children’s Birthday Book,” and these illustrations clearly make a nod to her take on “Mother Goose Rhymes,” “Marigold Garden,” and her “Six a Song of Sixpence.” Other illustrators, like H. Willebeek Le Mair, and Jessie Wilcox Smith, who DID do versions of “Verses” get nods here, too. The mystery of this only adds to the uniqueness of the piece.

Features vignettes of “The Swing,” “Rain,” “Happy Thoughts,” and “I Have a Little Shadow,” along with the title “A Child’s Garden of Verses.”

With up to 12 continuous yards available it would make the perfect baby shower or nursery decor — table runners, baby bumper pads, little curtains, Mama’s diaper bag, a play mat, a message board, lamp shade, for adding to a quilt, pillow fronts for a child’s room, and more!

SIZE: 36” wide x 1 yard increments (sold by the yard) with up to 12 continuous uncut yards available. Highly stiff glazed chintz. Figures are 1.25” high. Vignettes range between 14” w x 10” high to 7” wide x 13” high. $79/yard with FREE shipping in the US. Find it in our Etsy shop Lady Virginia Vintage Fabrics (link in bio). 

.

#vintagefabric #vintagefabrics #vintagefabricforsale #fabric #fabricobsession #fabricobsessed #fabricaddict #fabricaddiction #ladyvirginiavintage #fabriclover #fabriclovers #vintagestyle #grandmillennialbaby #vintagebaby #vintagekids #babynursery #babyshower #robertlouisstevenson #kategreenaway #jessiewillcoxsmith #vintagechildren #vintagechild #vintagechildrensbooks #childrenspoetry
Follow on Instagram

Copyright © 2025 Lady Virginia Vintage · 11 E. Beverley Street · 3rd floor, Suite 21 · Staunton, VA 24401 · Contact Us Online